The Politics of Public Library History
by A.S.Popowich
Recent trends in
library history have seen the injection of social and philosophical
theory into a purportedly ‘value neutral’ field of study. The library
historian Alistair Black has found much of value in the histories and
‘archeologies’ of Michel Foucault. Given that the work of Foucault and
Jurgen Habermas provide the two main alternatives of current
philosophical discourse, investigating the applicability of Habermas’
work to the field of library theory yields some interesting results.
While superficially esoteric, this work has great relevance to
understanding information in the society we live in, especially the
growth of the Internet and Web 2.0.
Since its inception, the role and function of the public
library has been hotly debated. The English Public Libraries Act,
passed in 1850, was the initiative of men who sought to improve the lot
of the lower-classes through education and “the diffusion of useful
knowledge” [1]. This parochial view of the role of
the public library has not entirely disappeared and, it could be argued,
such a position may be an inherent, if unspoken, part of the idea of
modern public libraries (Black,
2003). Williams (1981) offered three different conceptions of the public
library development, corresponding roughly to neutral, benevolent, and
repressive social contexts. Recent research suggests that, far from the
library being a benevolent, if parochial, institution committed to
social progress and democratic ideals, the public library hides
repressive structures of domination beneath a discourse of benevolence
or neutrality (Black, 1996,
2005). The “myth” of neutral professions is widespread in
“contemporary liberal, pluralist,
capitalist” democracies (Jenson,
2004, p.
1), and the true nature of the public library hides behind
this myth.
In North
America the tension between the discourse and the underlying reality has
taken the form of an ongoing debate over “social responsibility” in
librarianship. This debate engendered interest in the social aspects of
library history, culminating in Alistair Black’s important re-evaluation
of library history, A New History of the English Public Library
(1996) and The Public Library in Britain, 1914-2000
(2000). The foundation of Black’s interpretation of library history is
the work of Michel Foucault, which Black uses to expose the
“archaeology” of public library discourse. Foucault’s approach is useful
for such an exposure, but his distrust of any totalizing theory of
emancipation (Hacking, 1986) leads to a theory of social institutions
that rejects the possibility of positive social change. In contrast, the
work of Jurgen Habermas (1989),
investigating the rise and disintegration of the bourgeois public sphere
offers an alternative which not only accounts for the development of the
public library as an institution of social control, but may point the
way toward a model of public librarianship that offers at least the
possibility of democratization and social emancipation.
Habermas and the public sphere
For Habermas, the philosophical project of the
Enlightenment (the emancipation of reason from the “tutelage” of
religious and metaphysical world-views) corresponded to the project of
social and political liberation of a middle-class involved in trade and
commodity production, beginning
in the 17th century. Excluded from social and political
participation by feudal social relations, the
bourgeoisie (i.e., the middle-class) created non-political
institutions (the salon, the coffee-house, etc.) in order to debate,
rationally and critically, the events of the day which affected them
economically. Over the course of the 17th and 18th
centuries, these institutions enabled the middle-class to reflect on
itself, achieve “maturity” (Kant’s term) and eventually to seize
political power. Habermas locates the triumph of the bourgeoisie in
Britain with the great Reform Act of 1832.
Rapid
industrialization and economic expansion, however, exacerbated and
exposed the social inequalities of bourgeois society. The response of
the bourgeois state which until then, had believed firmly in the
principles of laissez-faire, was to intrude into the sphere of
commodity exchange and production (by legislation of working-hours, for
instance) and into the public sphere (by increasing suffrage,
parliamentary reform, social legislation, etc.). The purpose of this
interference was to mitigate the effect of economic oppression, in other
words to de-radicalize the working class. This is the context of the
origin of public libraries in Britain (Black,
1996). Anthony Trollope’s Palliser novels, published between 1864
and 1879, offer an untangling and exposure of these social and political
processes during the period in question.
Under the guise of “improving” the lives of the working class (i.e.,
making the working class bourgeois) and of social progress, the public
library was an institution of pacification and the dissemination of the
bourgeois way of life; in other words, an institution of repression
against already oppressed classes.
The class-consciousness which led to the emancipation of the
middle-class had come about through individuals’ participation in the
public sphere, a sphere which allowed for debate and discussion without
recourse to the advantages of birth, property or coercion. This
constraint-free debate, ostensibly one of the products of the public
library, was in fact withheld from the working-class. No debate was
possible within an institution that provided
only the “improving” materials written by members of the
dominant class. The ambiguous benefits of increased literacy, which had
been one of the primary weapons used by the bourgeoisie in its struggle
for liberation,
were
immediately recognized when it came to educating the working-class. On
one hand, literacy would allow the working class to absorb
bourgeois culture more easily, would
educate them and allow progress to take its course; on the other hand
the middle-class knew only too well how literacy could lead to
dissatisfaction with the status quo,
and alternative channels for the spread of culture and ideas. After the
revolutions of 1848, fear of social unrest in Britain was great, and the
public library became a tool, not for the emancipation or improvement of
the lives of the working-class, such as it was professed to be by its
founders, but a tool for their tranquillization and de-radicalization
(Black, 1996). This is the
context in which we must consider the future of the public library and,
more importantly, its future as a possible agent of social change.
The public
library as an agent of change
The justification for considering the library as an engine
of social and political change goes back to the original conception of
the public library. Habermas offers an account of the development,
growth and eventual decline of bourgeois public institutions – of which
the subscription and circulating library was one – between the 18th
and 20th centuries. Society libraries such as the Halifax
Library (1824) and the library of the Halifax Mechanics’ Institute
(1831) fostered free discussion, the dissemination of new ideas, and,
unofficially, the bourgeois-liberal programme. The rate- or tax-
supported public library was the product of what Habermas refers to as
the re-feudalization of society. It is this intrusion or interference
that gives the public library the socially controlling character pointed
out by Black.
The dynamics
of this situation were
analyzed by Habermas, though without specific reference to
libraries, public or otherwise. As a sphere between civil society and
the state, a sphere in which critical public discussion of matters of
general interest was institutionally guaranteed, the bourgeois public
sphere took shape in the specific historical circumstances of a
developing market economy. In its clash with the arcane and bureaucratic
practices of the absolutist state, the emerging bourgeois public sphere
gradually replaced a ‘publicity’ which was merely represented before
the people by the ruler. When the bourgeoisie gained political power in
the early 1830s, state authority was publicly monitored through informed
and critical discourse by the people – which was only possible
because of the presence of rational-critical public sphere institutions
such as the press (Held, 1980).
The primary focus of the public sphere was ‘discursive will-formation’,
or what Held calls ‘constraint-free discussion’. The public sphere
fostered discussion and argument free of ideology, bias, and other
patterns of domination among the newly public class. Institutions in
which such discussions could take place had to be deliberately created
because the bourgeoisie was (until 1832) excluded from traditional
avenues of public activity. As the bourgeoisie gained power, the
institutions they created became integral elements in middle-class
society and administration.
As long as social and political participation was restricted to the
small remaining group of aristocrats and the rising middle-class,
subscription libraries were all that was required. As the 19th
century progressed, however, and the inequalities of laissez-faire
capitalism were increasingly exposed, the needs and desires of the
working classes grew in importance.
Fearing social revolution, the bourgeois government interfered in the
previously
sacrosanct arena of commodity production and exchange (by
introducing
working-hour and safety-standard legislation, for instance).
The government also attempted, in good faith more often than not, to
‘improve’ the intellectual and moral lives of the working-class. The
library was the perfect institution to accomplish this, but most working
poor could not afford the dues of a subscription library. It was in this
context that the public library was born.
The social aspect of library history is relatively new.
Prior to the 1980s, library history tended to concentrate on
institutional or biographical history, which is the history of specific
libraries as organizations or the biographies of important people in
library history (Black, 1996).
As social history became more and more accepted in the wider historical
field, so social library history also developed. Interdisciplinary
methods, drawn mainly from the social sciences, began to be applied to
history in general and library history in particular. This development
occurred as a result of a crisis in historical method.
The “crisis” in historical method
In the late 1980s and early 1990s, renewed attention was
given to the field of library history (Pawley,
2005). Initiatives such as the international symposium arranged by the
International Federation of Library Associations’ (IFLA’s) Round Table
on Library History in 1988 were put forward to investigate the “complex
tendency” of library history to take into consideration advances in
other fields, notably sociology (Kaegbein & Sturges,
1990). In 1989 the American Library Association’s (ALA) Library History
Round Table issued a statement calling for all LIS programs to
incorporate “history and historical
methodology” into their curricula (Pawley, 2005, p. 223). These
initiatives grew out of a double tendency which became increasingly
problematic through the 1980s: the attempt by library historians to
“show mutual connections and influences between libraries and their
environment”, and the phasing out of library history as LIS education
became more focused on professional aspects of librarianship (Black,
1995; Carmichael, Jr., 1995;
Pawley, 2005). The response of
library historians to this double tendency was to embrace a new view of
methodology, and to promote the importance of “new history” in the face
of a “new vocationalist library and
information studies curriculum” (Black,
1995, p. 1).
In many
respects the marginal position of library history was not new, even in
1988-89. The American library historian Michael Harris (1972), noticed
“too little cumulation of skill, experience,
knowledge, and maturity in library historians. Library history remains,
by and large… a playground for amateurs” (as
cited in Manley & Keeling,
1995, p. 80). While Manley and Keeling
do not dispute the fundamental truth of “Harris’s gloomy comments”, they
see the 1960s as a “crucial decade” in the development of library
history as a discipline, and describe the work of library historians
of
this period as “sunshine in the gloom”. For example, the Library
History Group of the (British) Library Association was
created
in 1962, and from 1964 on included specifications for library
history in LIS training programs (Black 1996).
In his New History of the English Public Library, however,
Alistair Black (1996)
states quite categorically that even in the 1990s
“the value and history of the literature are
inquestionably uneven” (p.16). The main problem was that, in the
old view of library history, “too little
attention has been paid to wider social, economic and political
developments” (p. 16). This
criticism of the “old history” was implicit in Michael Harris’s gloomy
comments. Much of the library history research since the Second World
War was institutional –
it concentrated on chronology and biography–
rather than analyzing or examining the position of the library in a
wider social context. In addition, much of this work was characterized
by a “historically positive outlook on
librarianship and library institutions” (Wiegand,
1990, p. 105). Harris’s article on
“The Purpose of the American Public Library: A
Revisionist Interpretation of History” (1973;
as
cited in Wiegand, 1990)
introduced a new kind of library history. Harris looked beyond the
immediate field of library research and took account of
“revisionist historians of American education” (Wiegand,
1990, p. 106) to show that
the public library movement in the 19th century was less
concerned with philanthropy or enlightenment than with the threat to
social order posed by the masses.
The debate around Harris’s essay, and the rejoinder by Phyllis Dain,
created interest in new historical methodologies in what had become a
fairly stagnant field of research. This revisionist outlook also
provided the context for Alistair Black’s significantly new library
historiography, which was increasingly interdisciplinary, and which took
developments of theory (mainly European, mainly sociological) seriously
into account. In his “Manifesto for the ‘New’ Library History”, Black
announced that:
“Library history is not a dead or dying subject; and it is time for those who are committed to the subject to stand up and say so with vigour and conviction to those who doubt its value. Not only must we defend library history, we must also promote it. In order to defend we must attack; and to do that we now have, I believe, new weapons drawn from the innovative armoury of social history with which to go on the offensive.” (Black, 1997, p. 1)
Skouvig (2005), in her work on public library
research,
gives consideration to the application of Black’s call for a more
contextualized theoretical historiography to the history of Danish
public libraries. According to Black, the traditional institutional view
of library history is obsolete because “the
history of the library as an institution neither incorporates the public
libraries in a broader social or historical context nor sees them in a
theoretical perspective” (Skouvig,
2005,
p. 251). According to
Skouvig the importance Black places on theory derives from
his understanding of two important, though contradictory, tendencies of
modernity: the tendency towards emancipation of the individual on the
one hand, and the tendency towards “control, surveillance and
regulation” of the individual by the state on the other.
“Black sees these two tendencies and
inseparable parts of the project of modernity from the Age of
Enlightenment and onwards, and they belong as such to the new
theoretically based approached to the history of the library as an
institution” (p. 225).
Foucault and the Enlightenment
This tension between the emancipatory effect of
Enlightenment reason and the controlling, repressive functions of the
institutions of the Enlightenment (or bourgeois) state must be the focus
of any discussion of the public library [2]. For
Skouvig, as for Black, the work of Michel Foucault provides the fittest
theoretical framework for the new conception of library history.
Foucault’s ‘histories’ are concerned with the exposure of repressive
structures of domination in institutions which are generally thought of
as ‘civilising’, ‘enlightened’, or ‘progressive’. The applicability of
this point of view to library history is clear. Black himself states
that “despite the obvious and wide
availability of positive images of libraries and librarians, it is their
‘darker’ side that has often attracted critical historical scholarship”
and that this “negative dimension is certainly
something that interfaces easily with the work of Michel Foucault”
(Black, 2005, p. 418). Indeed,
as far back as 1996, Black was advocating the work of Foucault to
analyze the “status aspirations” and “fabrication
of… power” of public libraries (Black,
1996, p.
220). It is Foucault’s conception of modernity that informs
the two criteria raised by Skouvig.
A Foucauldian
analysis, however, may be problematic (Flynn,
1996). Black (1996)
admits that “critical appraisals of
Foucault’s work have been plentiful”, and that “many historians,
certainly, have found it hard to embrace him as one of their own” (p.
419). This is not to dispute the relevance of Foucault’s model,
however, since “the hesitancy that historians
have displayed towards Foucault’s style… has not stopped historians of
libraries and librarianship from offering Foucauldian interpretations of
their subject” (p. 419). Despite
historians’ problems with Foucault’s method, then, they have found his
overall approach valuable.
It is certainly true that Foucault’s analysis of power / knowledge
structures has proved fruitful. On the other hand, his theoretical
position, “which questions not only the
validity of the Enlightenment project and its faith in progress and
reason” (p.
419) presents serious problems to library historiography
which must be addressed. If, as Skouvig maintains, the elements of
emancipation and social control are central to Black’s Foucauldian
analysis of public library history, but that Foucault, by Black’s own
admission “questions the validity of the Enlightenment project”, this
suggests a gap in the theoretical model which needs to be filled. The
public library, after all, arose out of the Enlightenment and achieved
legitimate status along with other social institutions following the
industrial revolution, and continued to be an important institution
throughout the modern period. Whether or not the public library will
continue to be relevant or viable remains to be seen. What is not in
dispute is the fact that the public library – indeed the modern form of
most libraries – must be situated in their modernist Enlightenment
context. In Peter McNally’s review of the second volume of Black’s work
(The Public Library in Britain, 1914-2000),
he states that Black
“argues that the role of the individual has
been central to modernity and that for the past three centuries
libraries – of all types – have served as fonts of reason and catalysts
of progress. Libraries have been, if not central to the ‘project of
modernity’, then certainly notable contributors to it” (McNally,
2002, p. 194), which suggests that a
Foucauldian analysis that seeks to play down or reject the modernist/
Enlightenment context is insufficient.
The call for a new theoretical library history was not
ignored by Canadian historians and library professionals. In Lorne
Bruce’s review of Black’s first volume (1996), he recognizes the
applicability of Black’s methods to library history in Canada, though he
thinks that a theoretical model encompassing all of Canada’s diverse
regions, populations, and histories might not be difficult:
“My preference would be to view many of the issues Black associates with idealism (e.g. pluralism, equality of opportunity, state action) more in alignment with the growth of liberalism and political economic thought which resulted in the formation of the twentieth-century state.” (Bruce, 1996, p. 80)
Bruce’s rationale for this position is the political ‘liberalism’ that
developed in Canada, but to concentrate on the library as a purely
‘democratic’ or ‘liberal’ institution is to ignore the connection
between liberal public institutions and the power/knowledge structure
which lie beneath them. It is also to discount alternatives to
liberal-capitalism, and such an approach can never be truly critical.
The origin of Alistair Black’s “new history”
Black’s new library history is part of the development of
historiography in general that has taken place over the last
half-century or so, and which in turn is linked to the debate between
modernists (such as Habermas) and post-modernists (such as Foucault)
over the continuing relevance of the Enlightenment project, reason, and
truth (LaCapra, 2000).
The view of
society that laid the groundwork for modern historiography was devised
by Giambattista Vico in his Scienzia Nuova (1725-1744). In the
first place, Vico believed that humanity could only hope to comprehend
structures of its own creation. We can, for example, understand the
social world but not the natural. Society, in Vico’s view, was man-made,
and hence a proper object of study. Vico also saw that the development
of societies was not random, but that each phase of development bore
characteristics that were shared by other societies in the same state
(Bentley, 1996). This view of
historical development was the basis for both Hegel’s and Marx’s
philosophies of history, as well as the “scientific” historiography of
Ranke. It is, in fact, the Enlightenment view of history: that society
is a product of reason and therefore progressing rationally towards some
sort of rational perfection. This idea came under attack in the late 20th
century by post-modernists, thus
Habermas and Foucault found themselves on opposite sides of
the debate. Foucault firmly rejected the Enlightenment notion of
rational progress, while Habermas continued to support the validity of
the “unfinished” Enlightenment project (Habermas,
2000).
Developments in historiography up to this point had tended to supplement
Vico’s basic premise with theories from the social sciences. The
Manifesto of the Communist Party (1848) is a good example of an
attempt to theorize on the historical forces behind social development,
and vice versa. Das Kapital (1867), of course, is itself a
massive contribution to interdisciplinary ‘political economy’, and
Lenin’s famously referred to Marx’s work as a conjunction of
“German philosophy, English political economy,
and French socialism”
(Lenin, 1913,
para. 3). Marx reconfigured the field of history to move away
from simple political history towards a social history which was not a
history of a given society, but of “society” itself.
“[A] new emphasis emerged when ‘society’ became its own unit of analysis rather than a collective noun for all the individuals who composed it… This idea was to become an organizing concept for several strains of social theory in the late nineteenth century and the starting point for new departures in an authentic ‘social’ history on the twentieth.” (Bentley, 1999, p. 84)
The
importance of modernists such as Nietzsche, Marx, and Freud in the
history of European thought is not disputed. As Marshall Bermann points
out in his All that is Solid Melts into Air, modernism had a
tendency to dispute and to challenge the accepted ideas of the time. In
the field of historiography, this challenge led to a “crisis over
method” (Bentley, 1999) which occupied the field between about 1880 and
1920. What Marx had done for social history began to be applied to other
fields of research, primarily economic history. This new focus
“implied that economic issues had lain for too
long at the margin of enquiry” (p.
81). The new context, however, was still firmly grounded
in the point of view prescribed by the Enlightenment:
“It asked how the histories of economies and
the social groupings that interacted with them should be constructed. It
raised with renewed force the Enlightenment’s questions about history’s
relation to social science.” (p.
81).
These questions were already being raised in the area of sociology by
Pareto, Durkheim, Weber, and others; and these questions became central
to the new methodology put forward by Alistair Black, calling for a
“move away from the closed, inward-looking
world of much library history, which generally avoids making connection
with the social, political, economic, and cultural world outside itself”
(Baggs, 1999, p. 1).
Library history, like other fields of research, was reticent to adopt a
theoretical approach (Bentley, 1999).
This led, however, to a narrow, institutional history whose significance
was quickly exhausted and which, for Black:
“misses the central purpose of library history which should not be pursued for its own sake, or for the glorification of individuals and institutions, but for the comprehension of social processes, historical and contemporary.” (Black, 1996, p. 17)
Theories of the public library
The crisis over method outlined above has been described as
“a period in which historians have turned to the social sciences for
their methodology and social scientists have relied on the historians
for their theories” (Williams,
1981, p. 327). Robert Williams, in his
discussion of “Historically Oriented Theories and Hypotheses of Public
Library Development” considers this viewpoint to have some merit, but is
“nevertheless an anomalous one”:
“Social scientists have usually been obvious, in some cases embarrassingly so, in stating the theoretical basis of their research and historians have been reluctant to state their generalizations in any structured and rigorous manner.” (p. 327)
Communication between these two fields has proved valuable to the
research performed in both, despite fundamentally different approaches
to testing, causality, and the use of theoretical models. Williams
(1981)
stated categorically that “we have
not had an enriching exchange of methods and theories between the
library historians and the ‘nonhistorians’” (p. 330), and
ascribes this lack of enrichment to the fact that, in the small
community of library scholars (at that time), theoretical
generalizations that were of use to one researcher were not necessarily
of use to another, so that “when the work of
library historians contains generalization about library-related
phenomena, they are often neglected” (p. 330).
There was no fundamental reason why this should remain the case, and
Williams set out to “encourage [the]
interchange of theoretical models examining the generalizations which
have been put forward in the area of public library development”
(p.
330). Therefore
Williams’ research was
the opposite of Black’s. Rather than seeking to apply
social-scientific or philosophical theory to an area of library history
(in this case, public library development), Williams seeks to pass the
theories developed by library historians back to the social science
community. He identifies three predominant theories of public
development in the historical literature: the social conditions theory,
the democratic traditions theory, and the social control theory.
The social conditions theory is the most inclusive, and is supported by
the work of important library historians Dee Garrison, Jesse Shera, and
Sidney Ditzion. Shera’s study of public library development in New
England from 1629 to 1855 is held up by Black as
“a classic statement of contextual library
history” (Black, 1996,
p. 17), and Shera’s argument is cited by Williams as follows:
“Historical scholarship and the urge to preservation, the power of national and local pride, the growing relief in the importance of universal education, the increasing concern with vocational problems, and the contribution of religion – these, aided by economic ability and encouraged by the example of Europe, were the causal factors in the formation of libraries that would be free to all the people.” (Shera, 1949, as cited in Williams, 1981, p. 331).
Williams criticized this model since the variables involved are considered applicable at all places and all times that public libraries developed. For Black, the “contextual” approach lacks theoretical rigor. In discussing Shera’s work, Black states that:
“Context… does not alone provide the answer. The contextual approach to public library history has been too narrow in terms of the social, economic and political developments against which library development can be tested.” (Black, 1996, p. 17).
Williams’ second theory, the “democratic traditions” theory is,
understandably, the most popular theory in American circles.
“Public librarians are especially fond of it
since it places them squarely in the mainstream of the Jeffersonian
tradition and permits them to view their work as central to the
advancement of democracy” (Williams,
1981, p. 334). In many ways
this is the dominant view in North American librarianship today, and
informs many of the statements and activities of the American Library
Association. The argument here is simple: “the
development of the American public library is the result of the growth
of democracy” (p.
334). No account of why this should have occurred
is given, nor is the concept of “democracy” analyzed at all. This
situates the democratic traditions approach firmly within the context of
other “democratic” theories prevalent in the United States. As Williams
himself notes, “the concept of democracy is
and has been a useful myth in all of American history and life and it
seems to have the same role in library history” (p. 334).
Finally, the social control theory provided the basis for Alistair
Black’s PhD thesis, “The English public library as an agency of social
stability, ca. 1850-1919” (1989), and continues to play a part in his
work today (Black, 2005).
According to Williams, the basis of this theory is that
“while there is much to commend in the
interpretations made by the ‘liberal-progressive’ historians of public
libraries (…) one should not neglect to consider the actual motivations
of the founders of public libraries (…) who used the public library as
one of the means by which they could control social change in an orderly
manner and thereby insure their position in society” (Williams,
1981, p. 335-6).
The discourse of library history
An investigation of social context, as we have seen, is
insufficient for Alistair Black’s purpose; questions of power, class,
economics and politics must also be raised. It is for this reason that
the work of Michel Foucault, dealing as it does with the hidden
histories of social institutions such as prisons and clinics, is so
vital to Black’s project. Foucault identified the processes whereby
power is arrogated to certain social groups through the manipulation of
knowledge. The conventional view of (especially “scientific”) knowledge
is that it is objectively arrived at and “truthful”. In Foucault’s view,
“scientific truths can only be understood in
the context of the motives of the ‘expert’ networks that produce them….
all knowledge… is inseparable from the exercise of power”
(Black, 1996, p.
220). Knowledge and power are elements of a single social process
(power/knowledge), which maintains power in the hands of those who
“have” or “employ” knowledge, and subjugates those who have been
excluded from such socially constructed discourses.
“In essence, those in command of a discourse
have the power to make it true, and to underwrite its scientific
validity” (p. 220).
Black sees the possibility of an application of Foucault’s arguments to
the field of library history, and in a fascinating article on “The
Library as Clinic” (2005), Black shows that, far from being politically
and socially neutral institutions, benevolently housing and providing
access to knowledge and wisdom, public libraries in Britain were also:
“places where scientific rationality was at times mobilized to counter perceived ‘social’ diseased, broadly constituted by disorder, deviancy, poor discipline, irrational recreation, and economic and political radicalism. The public library’s role as a meaningful clinic for the eradication of social diseases, to which the masses were seen to be prone, necessarily required the attraction of a mass clientele, which, ironically, generated fears of physical disease from the spatial mixing of users and the sharing of printed materials.” (Black, 2005, p. 416).
The work of Foucault lends itself well to such an expanded analysis of the social dynamics surrounding the public library. Foucault himself looked at prisons and asylums in much the same way. Black’s Foucauldian analysis continues by making a strong case for viewing “the discourse of librarianship itself as merely [a] ‘regime of truth’” (Black, 1996, p. 222). Two elements of the “discourse of librarianship” picked out by Black are the “self-help ethic which librarians preached” and the “message of emancipation” inherent in that ethic (p. 223). From a Foucauldian perspective, this message was:
“A myth, inflicted by librarians’ rhetoric on self-realization and increased opportunity. In the same way that the truth of the self-help discourse can be doubted, the reality of the democratic thrust of cultural enlightenment can also be questioned. The mission of librarians to disseminate culture can be awarded a liberal dimension. However, in addressing the definition of culture, the question must be asked: ‘whose culture?’” (p. 223).
It is
this question that lies at the heart of Alistair Black’s New History.
For only by understanding a culture in its totality can we understand
that culture’s institutions, where they came from, how they developed,
what position they occupy, and what forces surround them.
Conclusion
The application of theory to public library history should
not concern only library historians. The current state of the World Wide
Web (“Web 2.0”) seeks to create a virtual public sphere to
replace the hopelessly re-feudalized original. Proponents of Web 2.0
technologies claim that they increase constraint-free discussion and
democratic participation in the public sphere. Certainly the history of
the open-source movement seems to demonstrate the capabilities of
‘discursive will-formation’, but with the expanding monopolies of
corporations such as Google, the increased media presence on the
internet (both traditional and alternative media) and hence the
possibility of privileged voices among internet users (despite the
prevalence of Wikis, blogs, etc.), is the virtual public sphere in
danger of becoming just as mercantalized as the original? Will
e-commerce and electronic media serve to undermine the emancipatory
potential of the Web just as it is coming to fruition? What of that
section of the global population who do not have access to the World
Wide Web? Is the new public sphere just as representative of social
class dynamics as the old print public sphere was? These questions are
beyond the scope of the present paper, but are important nonetheless.
For Karl Marx,
the question of a “virtual” public sphere would have been ridiculous.
The material conditions of our existence (food, shelter, etc) condition
our consciousness and not the other way around. In this respect, the
public library system which developed within the capitalist mode of
production, obviously serves the bourgeois-capitalist class. Any
theoretical point-of-view which privileges the virtual or the
informational over the material is at best misleading, and at worst a
deliberate attempt to control society. In speaking of the privileged
position first religion, then commodities held in the world, he spoke of
“fetishism”, and the popularity of, for example, the online community
Second Life, exemplifies nothing if not the fetishism of information.
Habermas, while taking Marx as a starting point, believes that the
inequalities and contradictions of liberal-capitalist society can be
resolved from within by means of freedom of expression (‘freedom’ both
in the legal and practical ability to participate). According to this
viewpoint both public libraries and the internet, so far as they enable
“constraint free discussion” must have a positive effect on society. As
we have seen, however, the extent to which both the public library and
the internet enable such discussion is open to debate. For Alistair
Black, drawing on the work of Foucault, the public library was never
intended by those who created it, to enable constraint-free debate, but
to condition readers in the dominant ideology, the ideology of the
bourgeoisie. The current trend toward preferring mainstream over
alternative information within the library (justified by popularity) and
the redesign of libraries to be less a “place of books” (libraria,
bibliotheca) than a place of comfort and entertainment (justified by
competition) simply reinforces the public library’s position as an agent
of bourgeois ideology.
A.S. Popowich is currently a second-year student at the Dalhousie School of Information Management, Halifax.
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The Politics of Public Library History by A.S. Popowich Dalhousie Journal of Information and Management, volume 3, number 1 (Winter 2007) |