| Issue | Title | |
| 2018 | A Critical Analysis of Violence as a Symptom of Mental Illness in Orange is the New Black | Abstract PDF |
| Ashley Farrell | ||
| 2017 | A Life That’s Good: Metaphor and Greatness in Eliot and Ishiguro | Abstract PDF |
| Emma Peters | ||
| 2015 | A Matter of Perspective: An Examination of the Patient-Physician Relationship | Abstract PDF |
| Daniella Conley | ||
| 2013 | A Plethora of Literary Voices in Wharton’s The Age of Innocence | Abstract PDF |
| Katie MacDonald | ||
| 2018 | A Short Adaptation: Absence and Erasure in Chaucer’s The Wife of Bath | Abstract PDF |
| Drue Macpherson | ||
| 2019: Verso 2019 | Am I Not Fallen Away: Surrogate Fathers in Shakespeare's Henry IV Part 1 and Romeo and Juliet | Abstract PDF |
| GRIFFIN KING | ||
| 2010 | An Collins' Divine Songs and Meditacions as a Pain Narrative: Exploring the Relationship between Early Modern Writing and Pain | Abstract PDF |
| Kala Hirtle | ||
| 2018 | “It isn’t fair, it isn’t right”: The Affective Politics of Fear in Shirley Jackson’s “The Lottery” | Abstract PDF |
| Libby Schofield | ||
| 2013 | “Mad Comrades Singing”: Dramatizations of Madness in Sylvia Plath and Allen Ginsberg | Abstract PDF |
| Zoe Doucette | ||
| 2013 | “mangiD. kcirtaP.”: The Printed Word in “Aeolus” | Abstract PDF |
| Reed Clements | ||
| 2017 | “We account the whale immortal in his species, however perishable in his individuality” An Exploration of Social Knowledge in Herman Melville’s Moby Dick | Abstract PDF |
| Ellen Jamieson | ||
| 2019: Verso 2019 | “Why do I collude in this mis-use of language?”:Language and the Implication of the Reader in the Creation of the Gendered Subject in Jeanette Winterson’s Written on the Body | Abstract PDF |
| GHISLAINE SINCLAIR | ||
| 2010 | Being and Stein: The Temporal Insistence of Existence in Gertrude Stein's Early Portraits | Abstract PDF |
| Ella Bedard | ||
| 2012 | Between Tongues: The Discourses of Decolonization in M. Nourbese Philips Discourse on the Logic of Language and Rita Wongs write around the absence | Details PDF |
| Brittany Kraus | ||
| 2012 | Breaking into the Boys-Only Treehouse: Feminist Revisions to the Romantic Literary Canon | Details PDF |
| Liz Stanton | ||
| 2014 | Breaking the Crux of Solitude: Sexual Violence in 100 Year's of Solitude | Abstract PDF |
| Rebecca Wortzman | ||
| 2017 | Bridging Critical Race Theory and Lockean Social Contract Theory: Derrick Bell’s “The Space Traders” as Proto-Racial Contract Theory | Abstract PDF |
| Erik Nolan | ||
| 2014 | Broken Speech: A Nietzschean Perspective of Shakespeare's Othello | Abstract PDF |
| Daniel Bergman | ||
| 2016 | "But what will come out of it?" | Abstract PDF |
| Julia Schabas | ||
| 2009 | By Air, Earth, and Sea: The Constitution of Identity in Michael Ondaatje's The English Patient | Abstract PDF |
| Andy Verboom | ||
| 2015 | Carrot Cake | Abstract PDF |
| Aiyana Graham | ||
| 2017 | Changing Janes: “The Yellow Wallpaper” as a Case of Dual Consciousness | Abstract PDF |
| Helen Pinsent | ||
| 2013 | Charlie’s Angels: The Female Characters of Great Expectations in Comparison to Mary Wollstonecraft’s Idea of Women in A Vindication of the Rights of Women | Abstract PDF |
| Emma Skagen | ||
| 2010 | Chaucer, Gower, and What Medieval Women Want | Abstract PDF |
| Peter Chiykowski | ||
| 2016 | Confessional Realism versus Gothic Fiction in Vladimir Nabokov's Lolita and Silvia Path's "Daddy" | Abstract PDF |
| Ellen Jamieson | ||
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