| Issue | Title | |
| 2014 | Metamemoir in Wayne Johnston's Baltimore's Mansion | Abstract PDF |
| Jacob Sandler | ||
| 2013 | Morality and Ethics: The Economics of Mice in Barbauld and Burns | Abstract PDF |
| Ben Hicks | ||
| 2015 | "My Mother Is a Fish": All-Encompassing Inadequacy in Faulkner's As I Lay Dying | Abstract PDF |
| Taylor Lemaire | ||
| 2018 | Naked Self Down on Paper: Celebration and Criticism in Ginsberg’s Howl | Abstract PDF |
| Sam Krueger | ||
| 2019: Verso 2019 | Nationality, Socialism, and Great Depression Era Politics in This Time A Better Earth | Abstract PDF |
| BRADLEY COX | ||
| 2019: Verso 2019 | Of Guy, of his Felice, and of his Guilt: Problematic Love in the Auchinleck Guy of Warwick | Abstract PDF |
| MATTHEW ROONEY | ||
| 2019: Verso 2019 | Of Paradigmatic Suffering and its Place in Humanity | Abstract PDF |
| ROBERT ANDRADE | ||
| 2014 | Only So Much Is Certain: Selective Rhyme in Dickinson | Abstract PDF |
| Robin Fraser | ||
| 2013 | Parody in Chaucer’s “The Tale of Sir Thopas” | Abstract PDF |
| Tessa Cernik | ||
| 2019: Verso 2019 | Play with a Purpose:The Moral, Philosophical, and Societal Value of Child’s Play in John Newbery’s A Little Pretty Pocket-Book | Abstract PDF |
| TAYLOR SIMON | ||
| 2014 | Profane, Steal, or Usurp: Kingship, Divine Right, and Regicide in Shakespeare's Macbeth and Richard II | Abstract PDF |
| Rachael Hencher | ||
| 2014 | Read it and Laugh: Humour and Mistake-Making in Green Grass, Running Water | Abstract PDF |
| Samantha Elmsley | ||
| 2010 | Real Phonies: Performativity in Breakfast at Tiffany's and Mad Men | Abstract PDF |
| Natalie Childs | ||
| 2014 | Reinterpreting Saracen Alterity as a Proto-Christian Community | Abstract PDF |
| Matt Gillis | ||
| 2009 | Romantics and Their Delusions: A Waste of Time or Worthwhile? | Abstract PDF |
| Adam Miller | ||
| 2018 | Rooms with a View in Middlemarch and The Remains of the Day | Abstract PDF |
| Anna Jewers | ||
| 2009 | Salvation/Damnation: The Ambiguous Faust in Melville's Moby-Dick | Abstract PDF |
| Evan Brown | ||
| 2017 | Searching Between the Lines: Ambiguity, Paralysis and Revisionist Readings of Joyce’s “Eveline” | Abstract PDF |
| Chris Wieczorek | ||
| 2017 | See No Evil: The Bedside Spectatorship of Vivian Bearing | Abstract PDF |
| Elizabeth McElroy | ||
| 2014 | "Severity must cure it": Sin, Morality, and Politics in Shakespeare's Measure for Measure | Abstract PDF |
| William Tilleczek | ||
| 2016 | Sexual Sanguinity | Abstract PDF |
| Megan Norland | ||
| 2014 | Shattering the Illusion: Self-Preservation, Reality, and Meaning through Images in White Noise and "Self-Portrait in a Convex Mirror" | Abstract PDF |
| Devon Coutts | ||
| 2010 | Simulation and Sartorial Subversion in 19th and 21st Century Sensation Fiction | Abstract PDF |
| Emily Corrie | ||
| 2012 | Situated Authorship: Feminist Critical Engagement with Roland Barthess The Death of the Author | Details PDF |
| Sarah Wilson | ||
| 2015 | Some Regimented Evening: The Relationship between Commentary and Representation in "The Dead" and "The Love Song of J. Alfred Prufrock" | Abstract PDF |
| Helen Pinsent | ||
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