2014

Articles

• Front Matter

  Verso English

  • PDF

• How to Create Inhumanity: Kazuo Ishiguro's Never Let Me Go

  Andrea Kowalski

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• Only So Much Is Certain: Selective Rhyme in Dickinson

  Robin Fraser

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• Shattering the Illusion: Self-Preservation, Reality, and Meaning through Images in White Noise and "Self-Portrait in a Convex Mirror"

  Devon Coutts

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• Broken Speech: A Nietzschean Perspective of Shakespeare's Othello

  Daniel Bergman

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• "Severity must cure it": Sin, Morality, and Politics in Shakespeare's Measure for Measure

  William Tilleczek

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• From Marginalized Subject to Sovereign Self: Autobiography as a Means of Talking Back in James Tyman's Inside Out

  Jesse Abell

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• Reinterpreting Saracen Alterity as a Proto-Christian Community

  Matt Gillis

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• Profane, Steal, or Usurp: Kingship, Divine Right, and Regicide in Shakespeare's Macbeth and Richard II

  Rachael Hencher

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• Breaking the Crux of Solitude: Sexual Violence in 100 Year's of Solitude

  Rebecca Wortzman

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• With Time Comes Agency: The Evolving Role of Women over Time as Seen in Much Ado About Nothing, "Of Beren and Làºthien," and Buffy the Vampire Slayer

  Danny Tetlock

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• The Landscape as Voice in Albert Camus's The Outsider

  Grace Szucs

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• Creator and Creature: Criminality in Great Expectations and Frankenstein

  Brynn Staples

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• The Homosexual Pardoner and Chaucer's Social Tolerance

  Roisin Boyle

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• Read it and Laugh: Humour and Mistake-Making in Green Grass, Running Water

  Samantha Elmsley

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• Metamemoir in Wayne Johnston's Baltimore's Mansion

  Jacob Sandler

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