NO MORE MASTERPIECES: A CASE OF PEER MODELLING IN WRITING HISTORY
Keywords:
academic writing, peer instructionAbstract
N/AReferences
Allen, G. (2008a). Language, Power, and Consciousness: A Writing Experiment at the University of Toronto. In T.R. Johnson (Ed.), Teaching Composition: Background Readings (3rd ed.) (pp. 65-98). Boston: Bedford/St. Martin‘s.
Allen, G. (Ed.) (2008b). Make It New: Creative Nonfiction by New Writers for New Writers. Toronto: Life Rattle Press.
Allen, G. (Ed.). (2012). Magic Mushrooms, Redback Spiders and Lobotomies: Communicating Science (2nd ed.). Toronto: Life Rattle Press.
Artaud, A. (1958). The Theater and Its Double. (M.C. Richard, Trans.). New York: Grove Press.
Elbow, P. (1981). Writing with Power: Techniques for Mastering the Writing Process (2nd ed.). New York:
Oxford University Press.
Moniz, T. (Ed.). (2013). Writing History: A Collection by New Writers (3rd ed). Toronto: Life Rattle Press.
Peterson, L., Brereton, J., Bizup, J., Fernald, A., & Goldthwaite, M. (Eds.). (2011). The Norton Reader: An Anthology of Nonfiction (13th ed). New York: W.W. Norton & Company, Inc.
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